CÍRCULO EM SUSPENSÃO
Maria Noujaim
Publication developed by Maria Noujaim and Deyson Gilbert, printed by cmb and released by Galeria Jaqueline Martins, in read-activation on 7/2/22.
BREATHE IN THIS SPACE
MENTALIZE YOUR LIMIT-INTERLOCUTOR: TO WHOM DOES THIS INFLATION OF AIR REACH?
PERCEIVE THE VIRTUAL SPACE OF THE RELATIONSHIP: WHAT IS BETWEEN YOU?
MOVE IN THE SPACE BELOW.
AS MAIAKOVSKI SAYS: PREACH THE WORDS IN THE SPACE - EVEN IF THEY ARE NOT WORDS.
THINK OF THE ELEMENTS BETWEEN YOU AS A CONSTELLATION AND PLACE THEM TO FORM A CHOREOGRAPHY - OR A CHOREOGRAPHIC DESIGN.
WHAT IS THE BORDER BETWEEN DANCE AND DRAWING?
MEDITATE ON THE DANCE-DRAWING PENDULUM AND, ONCE AGAIN, REPLACE THE ELEMENTS WHILE BEARING IN MIND THE QUESTION: WHAT IS BETWEEN YOU?
CONSIDER THIS EXCHANGE A KIND OF LETTER. SHUFFLE THE MESSAGE, AS IF YOUR INTERLOCUTOR ANSWERS AND YOU REPLY.
DEEPEN THE SILENT EXCHANGE.
SILENCE = SPACE
TELEPATHY IS AN ADVANCED TECHNOLOGY.
MENTALLY DANCE WITH YOUR INTERLOCUTOR.
DESCRIBE THE DANCE BELOW AS AN INVITATION.
PROPOSE MOVEMENTS AND LEAVE SPACE FOR THE UNREACHABLE MOVEMENT OF THE OTHER.
WHAT'S BETWEEN YOU IS A SCORE?
THINKING OF GROTOWSKI, KEEP AN ME-ME TENSION WITH THE OTHER:
DANCE WITHOUT MOVING AND MOVE IN THE OBSERVATION.
EXPRESS THE SHINE OF THIS EXCHANGE.
WHAT IS THE DIFFERENCE BETWEEN COLOR AND SHINE?
WITTGENSTEIN WOULD SAY IT IS A DIFFERENCE IN LANGUAGE.
HOW IS THE LANGUAGE OF BRILHO?
HOW IS THIS LANGUAGE DANCED?
DESCRIBE THIS DANCE?
PAPER SPACE
THE LINES AND NON-LINES THAT COMPOSE THIS PUBLICATION ARE AN INVITATION FOR A DIALOGUE BETWEEN READERS. THE USE OF PAPER IS A HOMAGE TO ANNA AND LAWRENCE HALPRIN'S DANCE DECK: THE SPACE WHERE NUMEROUS RSVP CYCLES HAPPENED. IN THIS ROLE-ENVIRONMENT, I INTEND TO OFFER THE READER A HOMAGE AND PROVOCATION ABOUT THE RSVP METHOD OF THE HALPRIN THAT HANDLES THE SPATIAL DIMENSION IN WHICH THE PRACTICES DEVELOPED AND, THEREFORE, THE INTRINSIC FUNCTION OF SPACE IN THE CONSTITUTION OF A COMMUNITY PEDAGOGY AND PERFORMATIVITY